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炎黄风情的乐误会说
1. 小白菜这是我在童年听到的第一首民歌——首传达久远的歌，它体现了一个失去母亲的孩子遭受继母迫害的凄惨境遇，和他对生母的思念之情。
我以这首民歌的凄婉旋律为基础，用弦乐描写客人公对来日暖和亲情的留恋，以及为母亲送葬情形的回想。
两边局部的旋律是我依据河北民歌《哭五更》的音调从新创作的，其中有哀伤的哽咽，无奈的叹气，也有持久的神往。
当旋律从新回到《小白菜》时，小提琴以充溢空想的空灵音响把人们带到了这苦命孩子寄宿愿于天国的依稀梦幻之中。
2. 小放牛这是一首乡村歌舞曲，曾被编成京剧和昆曲短剧而传达全国。
凌晨， 阳黑暗丽，清风拂煦，牧童在牛背上吹著竹笛悠然得意地走出村口。
路上，一位漂亮的村姑向牧童问路，牧童则以“赵州石桥什么人修？玉石栏杆什么人留？什么人骑驴桥上走？什么人推车轧了一道沟？”一连串疑问请村姑回答，作为指路的条件。
痴呆的村姑有问必答，逐一应答，二人边唱边舞，一派天真。
乐曲用音色对置的手法体现一问一答的诙谐情味，最后以乐队的全奏将欢畅气氛推向高潮。
3. 茉莉花中国各地特意是东部各省简直都有旋律、歌词各不相反的《茉莉花》常年传达。
我选取了我的祖籍河北沧州地域的《茉莉花》的旋律。
这是一首优雅细腻，粗劣委婉的歌曲，体现了少女以茉莉花自喻，对美妙恋情充溢空想的烂漫情怀。
由小提琴、中提琴先后演奏的《茉莉花》旋律，时而恬淡平静，时而含情脉脉，时而以不协和和弦体现少女偶上心头的一缕愁绪。
当另一旋律与《茉莉花》重唱时，则像是一首爱的颂歌。
而后，音乐转入深思，又在开头时平添一丝忧伤。
4. 对花“秋季里来什么花儿开？秋季里开的是迎春花 ……” 对句歌是民歌中经常出现的方式，而依节令秩序问答花名则是对句歌中经常出现的内容。
这首乐曲的主题驳回的是河北沧州地域的《对花》，中部则是另一首沧州民歌《放风筝》的旋律。
全曲以多变的节拍、对置的音色和丰盛的力度变动描画出对歌场上欢跃热烈的局面：一连串呶呶不休的重复音调，像是场外冷热闹清的人群呼喊助威。
中部拔出的慢板则是手执竹板击节入场的男性扮演“落子”（莲花落）的舞蹈局面。
1. 小河淌水“月亮进去亮汪汪，想起我的阿哥在深山，哥象月亮天上走，山下小河淌水清悠悠。
”这是一首即景生情，情形融合的云南情歌。
乐曲以原曲歌词提供的期间（月夜）、空间（山下小河旁）为背景，用弦乐高音区的含糊音响模拟朦胧月夜，用钢琴、竖琴、钢片琴的丁冬音响模拟小河流水。
恬美的英国管和明亮的长笛先后唱出优美动人的旋律。
当乐曲转为整体弦乐齐奏时，低声部模拟“阿哥”以快速一倍的同一旋律热烈应和，把炽烈的恋情之歌推向高潮。
2. 放马山歌“正月放马正月正，赶起马来登途程；二月放马百草发，小马吃草顺山爬……”这首传达全国的云南民歌，体现了放马人豪爽的性情。
乐曲中经常使用打击乐器和小提琴的滑奏模拟马铃、马蹄、马鞭声和放马人的呼喊声。
中部以《赶马调》的悠闲舒缓节拍和甘甜颠簸旋律描写放马人途中休憩的情形。
3. 雨不洒花花不红“哥是天上一条龙，妹是地上花一蓬，龙不翻身不下雨，雨不洒花花不红。
”这首云南情歌歌词语语双关，言简情深；旋律调式共同，委婉动人，曾在各地广为传达。
乐曲以意味雨滴的三连音音型贯通全曲，先后用大管、单簧管加短笛以及弦乐木管的交替演奏这优美诱人的旋律。
4. 猜调这首幽默诙谐的云南童谣以“绕口令”式的节拍体现了姐妹问答对歌的活跃情味：“小乖乖来小乖乖，咱们说给你们猜：什么长，长入地？哪样长，海两边？什么长长街前卖嘛？哪样长长妹跟前？”“……河汉长，长入地；莲藕长，海两边；银线长长街前卖，丝线长长妹跟前。
”乐曲以木管乐器的明亮音色和弦乐拨奏的轻快节拍突出浮现了旋律的戏谑气氛，中部援用了另一首云南民歌《安宁州》的优美旋律。
1. 女娃担水乐曲的主题是一首反映旧时代乡村男性苦难生存的陕北民歌。
全曲驳回传统的变奏曲体裁，从多正面提醒苦难中的男性的内心环球。
主题和最后的两个变奏凄楚悲凉，第三变奏描写了客人忧伤不安的心思优惠，第五变奏体现了她向凄惨命运的有力的战争。
最后一个变奏又回到悲凉的主题，而且变得愈加孱弱轻微——苦难是难以解脱的。
2. 夫妻逗趣“说你呀，邋遢呀，真邋一得遢呀，头上的金丝么乱呀如麻呀，娃他妈！”这首对唱描画了一对夫妻相互取笑的嬉戏局面。
三弦和板胡意味一对嬉戏中的夫妻。
钢琴的不协和音和小堂锣的诙谐音色强化了乐曲的喜剧色调，半音调性对置和节拍错位更使乐曲充溢幽默感。
3. 走绛州这首歌盛行于陕西和山西，体现了客人公肩挑扁担口唱歌谣步履轻快地向绛州进发的愉快心境。
板胡的旋律轻松愉快，小提琴的固定音型如同扁担高低忽闪的抖动，全曲展现出一幅优美的乡间画面。
4. 兰花花《兰花花》是一首发生于陕北传达于全国的叙事歌曲。
歌曲剧烈控告了旧时代包办婚姻对自在恋情的残害，讴歌了叛变封建礼教，谋求幸福婚姻的青年男性兰花花。
但是，在封建社会，她无法防止地要以生命为代价而走向喜剧的终局。
乐曲的第一局部以优美的双簧管和激情的大提琴体现兰花花和她的情人充溢空想的甘美恋情。
中段以铜管的强暴森严和弦乐的悲恸哭诉意味兰花花的战争和愤怒，定音鼓和大锣的哀鸣预示了喜剧的终局。
乐曲开头，定音鼓活跃地奏出主题，留下了最后的微弱号召。
1. 槐花几时开巴山蜀水，培养了四川人怠惰、豪爽而富于幽默感的性情。
这首词曲并茂的《槐花几时开》是一曲典型的四川山歌。
歌词只要四句，却情形融合，意味深长：“高平地上一树槐，手把栏杆望郎来，娘问女儿望啥子，我望槐花几时开。
”其旋律也十分别致，从全曲最高音起，每句歌词拆为两个乐节，并添加四川山歌特有的衬字，坎坷委婉，动人心魄。
乐曲由双簧管、圆号、弦乐、长笛和英国管先后演奏这首山歌的优美旋律。
和声以另一调性做背景烘托，描画了一个远景远景既分别又相合的山村画面。
2. 黄杨扁担这是一首四川秀山花灯调，体现了小夥子挑担到酉州送米，却兴致勃勃地观察酉州姑娘梳头装扮的情形。
歌词俏皮幽默，四川民歌特有的衬词更削减了歌词的幽默感：“黄杨扁担软溜溜哇(姐里哈里呀)，挑一担白米下酉州哇(姐呀姐呀) 下酉州哇(哥里哈里呀)。
”乐曲以微弱的全奏描写小夥子彪悍的笼统，中段以一首山歌的二重唱体现年轻挑夫休憩时悠然得意的情态。
3. 绣荷包《绣荷包》是中国民歌中经常出现的题材，体现少女为情人绣荷包时的兴奋与羞怯心态。
荷包是男人系于腰间用以装钱和零星东西的布袋，男性常以荷包赠与情人作为定情物。
民歌中《绣荷包》以四川、山西和云南的三首传达最广。
乐曲从弦乐四重奏开局，而后转为木管，间以竖琴的装璜性滑奏和长笛的华彩乐句，宛若姑娘手中的飞针走线。
4. 太阳进去气冲冲这是一首豪爽明快的四川山歌：“太阳进去气冲冲，挑起扁担上山岗，手中拿把开山斧，不怕虎豹和豺狼。
” 乐队全奏贯通全曲，铜管乐器粗野的呼吁，弦乐从压制到迸发的转接，以及定音鼓的狂燥敲击，体现了雄性勃发的阳刚之气。
1. 无锡景以锡山、惠山和太湖知名于世的江南名城无锡，从来是诗人、画家和音乐家的灵感之源。
以无锡为题的名曲，一是阿炳的《二泉映月》，一是这首江南小调《无锡景》：“天下第二泉，惠山脚半边，泉水碧清，茶叶泡香片，锡山相对惠泉山，山脚下，两半边，开个泥佛店。
”这首管弦乐曲以娟秀的木管音色和朦胧的弦噪音色描画了无锡秀美诱人的湖光山色。
2. 杨柳青这是一首愉快活跃的扬州小调。
“杨柳青”是原歌中的衬词，并无特意含意。
这首小调歌词不固定，常填入诙谐，幽默，愉快的词句。
乐曲驳回弦乐拨奏， 从两个声部开局，逐渐转入所有弦乐的拨奏，并以拨奏模拟民间打击乐的锣鼓节拍，突出了乐曲的愉快气氛和俏皮性情。
3. 拔根芦柴花这是一首江都县的秧田歌，“拔根芦柴花”系原曲衬句。
“白米饭好吃要把秧来栽，鲜鱼汤好喝要把网来拈……”乐曲以钢琴和长笛先后演奏这首秧田歌的轻快旋律，弦乐拨奏和洪亮的板鼓伴奏之，勾勒了一幅秀美的江南图景。
4. 紫竹调这原是一首盛行于苏州的市井恋情小调，后成为上海沪剧曲牌。
其歌词教训代艺人传达修正，成为一首委婉幽默的情歌：“一根紫竹直苗苗，送与哥哥做管箫，箫儿对著口，口儿对著箫，箫中吹出开花调。
问哥哥，这管箫儿好不好？”乐曲以弦乐和二胡、琵琶、曲笛演奏旋律，竖琴的晶莹琶音与之相和，颇具江南丝竹的格调。
1. 走西口《走西口》讲述的是过去年代生存在黄土高原贫瘠地域的人们衣锦还乡，到口外营生的故事，盛行于山西、陕西的北部和内蒙古西部。
各地的《走西口》内容相近，曲调却有很大差异。
这里所驳回的是山西小调的旋律：“哥哥你走西口，小妹妹我实难留，手拉著哥哥的手，不葬送到小村口。
”乐曲以如泣如诉的弦噪音色和细腻落错的复调声部酣畅淋漓地体现了一对情人恋恋不舍的离愁别绪——这里有缠绵悱恻的喃喃私语，更有肝肠欲断的生离死别。
2. 闹元宵“正月十五闹元宵，太原城里好繁华，这一边灯耍龙摆尾，那一边秧歌扭得好。
”这是一首欢跃热烈的山西民歌，体现了元宵节之夜人们兴致勃勃的心境。
乐曲以铜管的引子和唢呐的曲调把人们带到了一年一度的元宵晚会气氛之中。
当人们沉迷在节日之夜的欢畅之中的时刻，一曲深情的《绣荷包》渐渐流入人们内心：“初一到十五，十五的月儿高，那春风吹动杨呀杨柳梢。
”体现了“每逢佳节倍思亲”的共同心境。
3. 爬山调爬山调盛行于山西河曲和内蒙古武川一带，亦称山曲。
它同陕北的信天游在结构上十分相近，都是散板式的高低句结构。
内容亦同恋情题材为主，乐曲由两首爬山调联结而成，咱们从中可以看到山村男女青年以山曲表白心声的情形。
4. 看秧歌秧歌是北边乡村盛行的一种边歌边舞的民间歌舞，山西的秧歌以晋中地域的太谷秧歌最为著称。
太谷秧歌以叙事歌曲和短剧为主。
这一首《看秧歌》自身就是一首秧歌曲，形容了一对姐妹结伴到邻村看秧歌，一路上趣事层出的情形。
乐曲突出了秧歌的打击噪音响，以北边特有的火爆气氛把音乐推向高潮。
BAO YUANKAIYANHUANG FENGQINGChinese Sights and Sounds24 Pieces on Chinese Folk tunes for OrchestraSuit 1. Yan Zhao gu shiHeibei Folk SongsStories on the Lands of Ancient Yan and Zhao1. Xiaobaicai_Little CabbageThis is a very popular folk song talking about how a boy was ill-treated by his stepmother. Apart from the touching melody, the strings was being highlighted to imitate the boys sorrow. He missed his mother very much and the composer made use of another Heibei folk song Crying at the Daybreak to show the boys weeping sadness, helpless sighs and transient expectation. In the end, the violin brings us to the misty dreamland which the poor boy is longing for.2. Xiaofangniu The Little CowherdIt is a dance tune about the dialogue between a little cowherd boy and a clever country girl. When the girl asked the boy to show her the way, she was being tested with lots of questions. However, the intelligent girl had given the correct answers. Their conversations contribute to a joyful and amusing atmosphere. The sentiments were pushed to a climax by the full JasmineThere were many tunes or songs named Jasmine that could be found all over China especially the eastern provinces. This piece is from Cangzhou in Heibei Province with elegant and delicate melody. The tune is played by violin and viola, describing how a girl projects herself as a jasmine flower and dreams about romantic love.4. Duihua Can You Guess What Flower It IsThe format of questions and answers is often found in folk songs especially about the flowers names. This tune is one of them from Cangzhou which is merged with another folk song Flying the Kite in the middle part of the piece. The changeable rhythms, contrasted tone colors and frequent shifts of dynamics depict a noisy and gay picture of the cheerful 2. Yun ling su miaoYunnan Folk SongsSketches of the Highland of Tangshui Flowing StreamThis is a Yunnan folk song describing how a girl is missing her lover under a moonlit night. Different instruments were used to picture the scenery such as the string instruments for the moonlit night, the piano, harp and glock for the flowing stream. The touching melody is then played by the English horn and flute respectively. The music reaches its pinnacle when the low register part representing the boy friend played at half speed and is accompanied by the full string ensemble.2. Fang Ma shange Song of WranglerThis popular Yunnan folk song describes how the herdsman is grazing their horses on the pasture land and mountain. It also shows the bold and straightforward character of the herdsman. Percussion and violins are used to mimic the sounds of horse bells, hoofs and whips. Another wrangling tune with slow tempo and sweet melody appears in the middle part of the piece which shows the peacefulness of the herdsman when taking a rest during his work.3. Yu bu sahua hua bu hong Blossoming for RainwaterIt is a well-known Yunnan folk song in a pun form by which the girl is like a cluster of flowers and her lover is like a dragon in the sky. The melody and mode of this tune are unique and beautiful. Triplet pattern, which symbolizes raindrops, is used all over the piece. The bassoon, clarinet, piccolo and woodwind instruments are used respectively to interpret this fascinating Song of RiddlesThis is a childrens folk rhyme from Yunnan. In the rhythm of tongue twister, the song depicts how the two sisters are engaging in questions and answers. The mood is humorous and vivid which can be reflected by woodwind and string instruments. The middle part of the piece borrows the melodic tune of another Yunnan folk song 3. Huang tu bei huanShannxi Folk SongsSadness and Happiness on the Yellow Soil Highland1. Nuwa danshui Theme and Variation by Folksong of ShannxiThe theme of the melody originates from a Shaanxi folk song which is talking about a country girls hard life. The music develops in different traditional variations that probes the girls feelings in many aspects. The tone is sad and melancholy which shows her disconsolate and hard feelings. It also depicts her attempt to struggle against her miserable douqu The Amusing CoupleIt describes the amusing scene of a couple who are laughing at each other. A three-stringed Chinese plucked instrument and the banhu symbolize the couple respectively. The discord of piano and humorous tone color of small gong further strengthens the comic flavor of the Jiangzhou Going to JiangzhouIt is a popular song in Shaanxi and Shanxi which shows a cheerful man with a carrying pole on his shoulder humming when approaching Jiangzhou. The beautiful country scenery is illustrated by the light-hearted and happy tune of banhu while the fixed sound pattern of violin imitates the elastic movement of the pole on his Huahua Lady Lan HuahuaThis song is from the north of Shaanxi Province talking about a brave girl called Lan Huahua. She protested against feudalism and pursued her own happy marriage. Her struggle ends in tragedy and finally costs her life. The music begins with oboe and cello to depict their passionate love. Then the brass and strings come in to symbolize her struggle and wrath. In the end, the theme is recapitulated by the kettle drum and finally leads to the tragic ending of the 4. Ba Shu shan geSichuan Folk SongsMountain Songs of the Ancient States Ba and jishi kai Expecting the Blossom of ScholartreeSichuan people are known for their diligence, straightforwardness and humor. This is a typical Sichuan folk song talking about how a girl is missing her lover. The tone is amusing and unique. The beautiful melody is recapitulated by the oboe, horn, string instruments, flute and English horn respectively while the harmony in another mode pictures the village scenery.2. Huangyang biandan Yellow Poplar Shouldering PoleThis Sichuan folk song talks about a young man watching the girls in Qiuzhou to do make-ups on his way carrying a load of rice there too. The music begins with the full orchestra to portray the strong young man while the duet in the middle part of the piece depicts the leisurely and relaxing mood during his rest.3. Xiu hebao Embroider a PouchEmbroidering pouch is a very popular theme among Chinese folk songs. It shows the excitement and shyness of young girls when embroidering pouch for their lovers. Girls always give a pouch to their lovers as a token of love. The music begins with string quartet, and is followed by the woodwind, harp and flute respectively. It is just like the shuttling thread in her Chulai Xiyangyang Happy SunriseThis is a lively and straightforward folk song from Sichuan Province. It describes the happiness and pride of children when they climb up the hills to work. The melody is played by the full orchestra. With the highlights of brass, strings and kettledrums, the masculine tone of the piece is further 5. Jiang nan yu siJiangsu Folk SongsDrizzle in the South1. Wuxi Jing The Scenery of WuxiWuxi in Jiangnan Province is famous for its beautiful scenery which is also the source of inspiration for poets, painters and musicians. Such as the Moon Reflected in Two Streams and this folk song are both well-known tunes talking about Wuxi. This orchestral version of the folk song depicts the charming scenery by both the woodwind and strings.2. Yangliuqing Green WillowIt is an animated and brisk Yangzhou folk song. It is named so because it uses green willow as a foil in the lyric which is meaningless. The lyric is changeable with humorous and cheerful words. Pizzicato is applied among all strings and is even used to imitate the rhythm of gongs and drums. The delightful and active tone of the melody is then fully expressed.3. Bagen Luchaihua Pulling out a Reed CatkinIt is a folk song in Jiangdu County which is always sung when transplanting seeds in the rice fields. Accompanied by the strings in pizzicato and small drums, the tune is played by piano and flute respectively to portray this beautiful Jiangnan scenery.4. Zizhudiao Bamboo-flute TuneIt used to be a popular love tune in Suzhou and is then become a mode of tune for Shanghai local opera Huju. The lyric is implicit and amusing. Accompanied by the harp, the melody is played by the strings in the style of 6. Taihang chun qiuShanxi Folk SongsSeasons in Taihang Mountains1. Zou Xikou Going to West GatePopular in Shanxi, Northern Shaanxi and Western Inner Mongolia, this folk song talks about the migration of the poor people from the Highlands for a better living. The music adopts the Shanxi tune with the theme of the sad separation between two lovers. Their feelings are depicted by the strings and the polyphony parts of the Yuanxiao Happy Lantern FestivalThis is a cheerful Shanxi folk song showing the happiness and excitement of people when celebrating the Lantern Festival. The introductory brass and tunes by suona lead to the climax of the festive joy. Then a soft and emotional tune of Embroidering Pouch appears to depict the sentiment of missing their own family under this annual gala.3. Pashan diaoA Tune of Mountain ClimbingPopular in Hequ, Shanxi Province and Wuchuan, Inner Mongolia, the structure of mountain tunes is similar to that of Xintianyou in the Northern Shaanxi Province. Both of them are in sanban (no tempo) and also have the main theme of love. This piece is composed of two mountain tunes which shows how the young village people express their love through those songs.4. Kan Yangge Going to Watch Yangge DanceIt is a country dance popular in the villages of Northern China. This piece talks about two sisters who go to see the dance and have met lots of interesting things. Percussion is highlighted to depict the rhythm and also the liveliness of the dance.
《太阳进去气冲冲》钢琴曲四手联弹为什么要升4？
《太阳进去气冲冲》钢琴曲是一首十分愉快的曲子，曲调明快，旋律感强，让人觉得十分愉悦。
而四手联弹则是一种十分幽默的钢琴演奏方式，可以让两个钢琴手同时演奏同一首曲子，经过相互配合和响应，展现出钢琴演奏的魅力。
在四手联弹中，升4的作用是为了让两位钢琴手能够更好地配合演奏。
在四手联弹中，普通由一团体来演奏高音局部，另一团体演奏高音局部。
而升4的作用就是为了让高音局部愈加明晰明亮，让高音局部愈加丰满有力。
这样，两个钢琴手就可以更好地响应和配合，发明出愈加完美的演奏成果。
另外，升4也是为了让曲子愈加有档次感。
在《太阳进去气冲冲》钢琴曲中，升4可以让曲子愈加生动幽默，让人愈加容易发生共鸣和感遭到曲子所表白的情感。
同时，升4也可以让曲子愈加有变动和变动，防止曲子过于干燥有趣，让人感到无聊和疲劳。
升4在《太阳进去气冲冲》钢琴曲四手联弹中的作用是十分关键的。
它可以协助两个钢琴手更好地响应和配合演奏，发明出愈加完美的演奏成果。
同时，它也可以让曲子愈加生动幽默，让人发生愈增剧烈的情感共鸣。
须要钢琴谱可以爱弹琴乐谱网下载
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